Dark0 @ The Art School, Glasgow, United Kingdom

Hawkchild DIY presents:

Dark0

+ MM + Hawkchild DIY

The Art School, Glasgow, United Kingdom

Friday 24 February  11:00 PM
£7/8   Entry Requirements: 18+

Dark0, one of XL Recording’s most recent signees (now label-mates with Zomby and Kaytranada), has been hailed as one of London’s most exciting producers with his innovative and cutting edge take on grime. The Neasden-born producer and DJ plays with our typical perception of grime, combining it with euphoric, trance enducing synths and infatuating R&B vocals. Cementing his place in the uk’s underground scene, Dark0 has previously released on Rinse FM and Gobstobber Records, highly acclaimed EP’s and a huge catalogue of mixes, as well as featuring in Evian Christ's Trance Party and performing with Skepta in the US.
Dark0 provides an ecstatic vision of grime for the future and we're excited to have him here for his first Scottish show.

with special guest: MM (Her Records)
Few artists have managed to rise from relative obscurity to being a leader in their scene quite like DJ MM, from starting nascent club outfit Her Records with Sudanim at age 17 to holding down Rinse FM slots, headlining nights both sides of the atlantic and smashing Boiler Room gigs.

As both a DJ and producer, MM has approached club music with a near-reckless flair, leaping between styles without breaking a sweat, all the while churning out undeniable hits like 9th Ritual & Reflector Pack. With a incendiary debut EP and white label recently released on his own Her Records, a vinyl offering on New York’s rising Purple Tape Pedigree and one-offs shared via labels such as Staycore, Mixpak and Fade to Mind, it’s clear that DJ MM has only begun to show us all he’s got.

  • Hawkchild DIY After bringing through Yung Lean, MssingNo, Manara and Kamixlo amongst others, Hawkchild DIY will be bringing in a new year of events whilst cultivating soundscapes which are as sonically intense and diverse as they are unsettling to a status quo. Underground sounds are placed at the forefront and any pre-conceived notions of what makes ‘good club music’ are thoroughly destroyed.